Cracking Knuckles When Nervous Part 2 Creating a Character Chart

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Last post I shared a basic list to help you keep facts about your characters straight before you write your story. If you missed that post here the link.

Today, I’m going to add more layers to that list to create a deeper POV understanding of those same characters.

What gestures and mannerism might they have?  Creating gestures ahead of time eliminates the possibility of every character sighing,or running their fingers through their hair when things are stressful. It sets them apart unless they are siblings, and that can be a fun observation as you create your characters.

 All the Mulligan brothers had the same habit of cracking their knuckles when they were nervous.

How much education does he have, and where did he get it?

An Ivy League education puts him a cut above a community college. This can affect how they talk and their expectations of life.

What kind of occupation or income does your character have?

This can aid in setting. A successful surgeon probably will have a house with a pool. While his nurse may live in an apartment.

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Does your character have any other skills?

 Play the piano, steeple jumping, CPR are a few examples.

During a date he or she can play piano and woo the other. Or CPR skills can save someone in a crucial scene.

Do they have any hobbies or interests?

 The opera, sports, knitting, crossword puzzles are possibilities. Each of these things creates another layer of their intelligence and passion and are great bits to add to scenes. You can set a scene at a sporting event or a knitting circle.

Pets?

 Four of my books have dogs. Their antics add to scenes and my characters’ responses can move the action along or the emotional level.

Religion?

If you write faith-based books, this is necessary to show why they respond as they do. Or if your characters are from another culture, this gives you a chance to note important things needed to sketch your character’s backstory.

Speech pattern?

 This can be a regional accent or a speech impediment. It can also reflect English as their second language. What kind of vocabulary do they have? Having this in mind when writing dialogue keeps characters from sounding alike.

Personality type?

There are several tests available online you can use. Take the test as your character and you’ll be amazed how much more real they become. Or just write controlling, people-pleasure or introvert to give you a baseline. Are they an angry person? What ticks them off? Do they explode or hold it in?

Does the character have a sense of humor?

In a stressful situation, a comic remark can relieve anxiety. But it doesn’t work if the character has no sense of humor.

Social Status?

 Is your character’s a Lord, a wealthy businessman, a poor laborer or a middle-class blue-collar worker? This question goes along with the character’s political and social views. You might need to research the political or social views of an era if writing a historical.

Friends?

 Who’s their best friend? Who else is in their inner circle? Are they a loner? How do their friends view them? How do they view their friends?

Who is someone your character admires and wants to be like? How does that admiration effect his life?

What is the family dynamic?

Are they close or have a strained relationship? How does their family view your character?

What are they afraid of?

 Does your character have issues from their past that bring out emotional problems?

You could add to your list some pivotal experience in their life.

A father leaving, a sibling’s death that colors their responses to life. Perhaps being accused of cheating or serving time for a crime they did or didn’t commit. Think about what traumas from the past that could shape your character.

Think about what makes them embarrassed.

 Not being dressed appropriately, perhaps. Being in a large group  scares them. Or they are anxious they might say the wrong thing.

What bad habits or weaknesses does your character have?

 Maybe they’re a slob or assume all Irish are bad people. Maybe they are a recovering alcoholic.

What do they want?

 A happily-ever-after? Solve a cold case? Prove their worth?

What do they need?

Money for a mortgage? Find their missing child? A good job?

Defining their ultimate goal helps you craft your story to reach that goal.

Finding a lost child.

What external problems are in the way of meeting that goal?

 Maybe a war is going on around them while they search for a missing child.

What internal problems stand in the way of meeting that goal?

Maybe your character struggles with the fear of not finding this child like she hadn’t found her brother.

Writing the solution to the internal problem before you start your story is a game changer. It might be a  spiritual turmoil like unforgiveness. You decide she needs to truly forgive her partner by the end of the story so they can recapture a loving relationship. Now you just need to get her there.

 Last word

Start with the basic then add any of these other suggestions to help deepen the POV of your character. As a panster it is a challenge to discover half-way through my story that my character hates for example potatoes. Yet he has been eating them all along, and I’ll now need to go back and edit in an earlier comment about his dislike. If I know he is afraid of heights, I’m not surprised when he doesn’t want to leap into the sea from a cliff.

As one who writes their story more organically, asking these questions about my characters before I start helps me understand them better. Will I use all the information I’ve discovered, or will I change it? Probably things will change as the characters tell me who they are as the story evolves. But this exercise saves me gobs of time during the editing and rewrite stage. And that my friend, is worth it to this die-hard pantster.

Helpful Books

I have in my library a collection of Thesauruses by Becca Puglisi and Angela Ackerman. They’re designed to help create realistic characters. You don’t need to read them from front to back. Like any Thesaurus, you look at the entries that interest you.

The Emotional Thesaurus, The Positive Tracts Thesaurus, The Negative Tracts Thesaurus, The Emotional Wounds Thesaurus, Occupational Thesaurus, Rural Setting Thesaurus, Urban Setting Thesaurus. Here is the link to the Amazon page with all their current books.

I recommend checking out their blog Writers Helping Writers. They have several worksheets to help develop characters if you don’t want to create your own.

What kinds of tools do you like to use to flesh out your characters before you start a story?

Link for preorder

If you’d like to learn more about my upcoming books and a bit about me here is the subscribe link to my newsletter.

http://eepurl.com/dkZGY5 Not only is Rescuing Her Hearting coming out in July but I have book one of the Village of Women series coming out in October 2021. Be the first to get all the scoops.

A Resource to Help You Choose the Right Job for Your Character + Giveaway

Hi everyone! Today I have something fun to share…a special chance to win some help with your writing bills. Awesome, right?

Some of you may know Angela Ackerman and Becca Puglisi of Writers Helping Writers. Well, today they are releasing a new book, and I’m part of their street team. I’m handing the blog over to them so they can tell you about their Writer’s Showcase event, new book, and a great freebie to check out. Read on!

Certain details can reveal a lot about a character, such as their goals, desires, and backstory wounds. But did you know there’s another detail that can tie your character’s arc to the plot, provide intense, multi-layered conflict, AND shorten the “get to know the character” curve for readers?

It’s true. Your character’s occupation is a GOLD MINE of storytelling potential.

Think about it: how much time do you spend on the job? Does it fulfill you or frustrate you? Can you separate work from home? Is it causing you challenges, creating obstacles…or bringing you joy and helping you live your truth?

Just like us, most characters will have a job, and the work they do will impact their life. The ups and downs can serve us well in the story.

Maybe you haven’t thought much about jobs in the past and how they act as a window into your character’s personality, interests, and skills. It’s okay, you aren’t alone. The good news is that The Occupation Thesaurus: A Writer’s Guide to Jobs, Vocations, and Careers is going to do all the heavy lifting for you. (Here’s one of the job profiles we cover in this book: FIREFIGHTER.)

GIVEAWAY ALERT: THE WRITER’S SHOWCASE

To celebrate the release of a new book, Writers Helping Writers has a giveaway happening July 20th & July 23rd. You can win some great prizes, including gift certificates that can be spent on writing services within our Writer’s Showcase. Stop by to enter!

Resource Alert: A List of Additional Jobs Profiles for Your Characters

Some of the amazing writers in our community have put together additional career profiles for you, based on jobs they have done in the past. What a great way to get accurate information so you can better describe the roles and responsibilities that go with a specific job, right? To access this list, GO HERE.

Happy writing to all!

 A note from Cindy

I love this Thesaurus and all the others I have from this wonderful team of writers. Grab a copy- you will not regret it.

Emotional Thesaurus : A Great Writer’s Tool

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I have found a wonderful resource book that I want to recommend to all my fiction writing friends.

The Emotional Thesaurus, A Writer’s Guide To Character Expression by Angela Ackerman and Becca Puglisi is a great tool to help writers find the right gesture, description or inner feeling for any character. The book is divided into 75 emotions starting with adoration and ending with worry. Each emotion is broken down into definition, physical signals, internal sensations, mental responses, cues of acute or long term, cues of suppressed and a Writer’s tip added for good measure.

This book could be read from start to finish but is better used as a resource. As I am rewriting and editing my novel I ran across a section where I used the word nervous. I need to show that nervousness to the reader. Turning to the Nervousness section I found lots of helpful clues.

The list of physical signals was quite long. I found rubbing hand’s down ones pants, a lack of eye contact and scraping hands through hair as great suggestions. But one needs to go deeper so I looked at the list of internal sensations discovering nausea and an empty feeling in the pit of the stomach set my imagination in motion. The mental response that best fit my character was a desire to flee. I found panic attack in the cues of acute or long term nervousness and a pasted on smile under cues of suppressed nervousness.

The Writer Tip on the nervousness page was a helpful reminder. “Body movement and external reactions alone will not create an emotional connection for the reader. Pairing action with a light use of internal sensations and or thoughts creates a deeper emotional pull.”

I found reading thorough the list caused me to reexamine my whole scene adding the components that were missing. It stretched my imagination as I created a new more powerful scene. The lists are not designed for you to copy the words into your manuscript but rather expand your thinking regarding your characters. As I read the list I could see which qualities fit my heroine and which made more sense for my hero or a minor character.

The Emotional Thesaurus is a must have for your writer’s bookshelf. Keep it close at hand for easy reference.