The Team of Writer and Editor

My  Guest Blogger  today is  Andrea Merrell, my awesome editor. Her words of wisdom can help any writer improve their manuscripts.

Andrea Merrell Photo 10

Andrea Merril

Writing—at least for most people—is not a solitary venture. Most of us are members of critique groups, attend writers’ conferences on a regular basis, and have writing buddies who love to get together to brainstorm ideas. Some of us even have wives, husbands, children, aunts, uncles, neighbors, and friends that love to read and can give us valuable feedback on our stories.

But there is another person who plays a vital role in the quality and success of your project: your editor.

Whether you plan to self-publish and hire a freelance editor, or have one assigned to you through your publishing company, this person can become your greatest ally and even a valued friend. The partnership between writer and editor is a key factor in the process.

Editors find our blind spots

Whether you’re a new writer or an experienced author, an editor’s input is invaluable.  Once we write, rewrite, edit, proof—and then start the process all over again—we can become “blind” to our own mistakes. As writers, we know what is supposed to be on that page. We know our story and characters so well we dream about them and have conversations with them in our head. But after we’ve read through our manuscript a number of times, our eyes begin to skip over obvious mistakes. That’s why we all need help. As I like to say, even the best editor needs an editor. J

So, what can you as a writer expect from your relationship with your editor? Let’s look at a few things to prepare you for working as a team to polish your prose.

A good editor will look for:

  • Your writing style and never try to change your voice. After all, this is your
  • Glaring mistakes like typos, misspelled words, mixing or using the wrong tense, and punctuation. The Chicago Manual of Style (CMOS) and Christian Writers Manual of Style (CWMS) are considered industry standard.
  • Redundant words and phrases. Sometimes we tend to overuse words (especially I, he, and she). Watch for these redundancies, along with pet words such as: that, just, quickly, quietly, slowly, began to, as if, etc., and however … just to name a few.
  • Pet phrases that are overused. Here are a few examples:
  • He laughed.
  • She cried.
  • He coughed.
  • She sighed.
  • He shrugged his shoulders.
  • She bit her lip.
  • He raked his hand through his hair.
  • She dropped her head in her hands.
  • He clenched his jaw.

None of these are wrong or bad, but when used over and over throughout a story, they wear on the reader. Be aware of your pet phrases and do a word search in your manuscript. You just might be surprised. I recently edited a manuscript where the phrase “he nodded” was used over forty times. This is where you have to get creative and do some rewriting.

  • Strong hooks.
  • Setting the scene.
  • POV (point of view) issues.
  • Formatting issues.
  • Dialogue issues (especially speaker beats and tags).
  • Showing, not telling. If you look at the examples I gave you for pet phrases, most of those are simply telling the reader what’s going on. Get creative and show the reader what’s happening. Put your reader in the scene and even inside the character’s head by showing their external and internal conflict. Here is an example: She cried. Doesn’t tell us much, right? What about changing that to: Tears rolled down her cheeks as she fought to keep her angry words inside—where they needed to stay. This paints a more accurate picture of what your character is feeling.
  • Too much backstory.
  • Syntax (the rhythm and flow of your sentence and paragraphs).

There are many other elements involved in the process, but this will give you a better idea of what to expect. When you and your editor are working together as a team, I truly believe you can learn more about the writing process than in a workshop or conference, because this is doing and not just hearing.

Bottom line: trust your editor. Work with him or her and learn from the process. If you have questions and suggestions, don’t be afraid to voice them. Your editor is there to make you look good and help your words shine.

 Andrea’s Biography

Andrea Merrell is Associate Editor for Christian Devotions Ministries and Lighthouse Publishing of the Carolinas (LPC). She is also a professional freelance editor and has been a faculty member at various writers’ conferences, including:  Kentucky Christian Writers Conference, The Asheville Christian Writers Conference (Writers Boot Camp), the CLASS Christian Writers Conference, and Write2Ignite. Andrea has been published in numerous anthologies and online venues. She is a graduate of Christian Communicators and a finalist in the 2015 USA Best Book Awards. Andrea is the author of Murder of a Manuscript: Writing and Editing Tips to Keep Your Book Out of the Editorial Graveyard, Praying for the Prodigal, and The Gift. Andrea has a passion to help writers sharpen their skills and polish their prose. To learn more, visit www.AndreaMerrell.com or www.TheWriteEditing.com.

If you’d like to hire Andrea to edit your manuscript, you can contact her through her website: www.AndreaMerrell.com or e-mail her at AndreaMerrell 7 @ gmail (dot) com.

 

 

Advertisements

Taking A Roadtrip of Words-Fun and Challenging

DSC_03561

Road trip!

Often defined as an Adventure with no actual route and end destination.

DSC09455-B

morguefile.com

Sometimes pantsters write their novels like a road trip. We sit down to write with an ending in mind. We know where to start but sometimes take a few wrong plot twists that lead to dead ends. Then we have to backtrack and delete the mess of jumbled words which grabbed our thought processes and sent our characters careening down a steep hill where the only possible end result is death. (Unless of course you are writing about Time Travel then it’s a black hole that takes you back to the 1700s where you find your true love or get beheaded in a sword fight.)

DSCF1285

morguefile.com

I love a good road trip of words even if I get lost for a while. In the process of finding my way back to my theme and the path leading to my happy ending, I learn a lot about my characters and about myself. I learn I want an easy path in life with no thorns or drama—smooth sailing and Kum ba Ya around the campfire. But when I write that kind of story, my characters rebel. They tell me I am not being realistic. They lie down in the backseat of my SUV and nap as I head down another side road of boring, unimaginative dialog. Spitball fights erupt in the passenger seats between my protagonists and their faithful sidekicks when I candy-coat their lives. They vie for better lines and more interesting situations. They persuade me to stop driving and check out the sites. We visit the critique group with members not afraid to run red lines through bad dialog and grab my characters out of their boring scenes and suggest where to relocate them.

file5911347286316

morguefile.com

After reworking those problem areas, we continue our writing road trip only to find my GPS of grammar rules from high school English that lauded lots of adjectives and adverbs is making the road way too rough. My story journey now lags with flowery prose full of –ly words and weak verbs. I grab one of my writing books and fill my GPS with grammar rules fiction writers use to plot a perfect sentence. Strong action verbs; sharp, simple phrases; and descriptive words that don’t go on for paragraphs.

OLYMPUS DIGITAL CAMERA

morguefile.com

At the same ol’ waterhole rest stop I notice my hero has twitched his eyebrows four times on the same page while sharing coffee with my heroine who flips her hair behind her ear every time she answers his questions. Argh….Time to change up the menu. Let’s put them at a picnic table and engage in a game of Frisbee. Add lots of sweatiness and tripping in gopher holes. How about a wink, a giggle and a scowl. More entertaining—I think.

side-view

morguefile.com

I’m exiting the car of my road trip of words for the day. Even while I do laundry and prepare dinner, my road trip memories replay in my mind. What if she had said…? What if he went too…? The beauty of a road trip of words: you can go back to those places where it didn’t feel quite right and relive it. Rewriting and revising until your characters give you a thumbs up.

Are you on a road trip with your latest writing project, or do you use a preplanned roadmap? Comment below.

Hey, don’t forget to sign up for this blog in the right column if you want to keep following me. Please and Thank you!